Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Martin van Meytens
Portrait of Archduchess Maria Anna of Austria

ID: 81468

Martin van Meytens Portrait of Archduchess Maria Anna of Austria
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Martin van Meytens Portrait of Archduchess Maria Anna of Austria


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Martin van Meytens

(June 24, 1695 - March 23, 1770) was a Swedish-Austrian painter who painted members of the royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francis I, Holy Roman Emperor, the Emperor's family and others. His painting style has inspired many other painters to paint in a similar format.   Related Paintings of Martin van Meytens :. | Portrait of Archduchess Maria Anna of Austria | Portrait of Polyxena Christina of Hesse-Rotenburg with her two oldest children, the future Victor Amadeus III and Princess Eleonora | Portrait of Archduke Francis Joseph | Johann Christoph Freiherr von Bartenstein | Portrait of Archduchess Maria Anna of Austria |
Related Artists:
Lipgart, Earnest
Russian Painter, 1847-19
William Henry Hunt,OWS
1790-1864 was an English watercolour painter. He was born near Long Acre, London, and was apprenticed in about 1805 to John Varley, the landscape-painter, with whom he remained five or six years. He exhibited three oil pictures at the Royal Academy in 1807. He became connected with the Society of Painters in Water Colours at its beginning, and was elected an associate in 1824 and a full member in 1827. Until the year of his death, he was one of the most prolific contributors to the Society's exhibitions. Many years of Hunt's uneventful but industrious life were spent at Hastings. He died of apoplexy. Hunt was one of the creators of the English school of water-color painting. His subjects, especially those of his later life, are extremely simple; but, by the delicacy, humor and fine power of their treatment, they rank second to works of the highest art only. Considered technically, his works exhibit all the resources of the water-color painter's craft, from the purest transparent tinting to the boldest use of gouache, rough paper and scraping for texture. His sense of color is perhaps as true as that of any English artist. He was, says John Ruskin, all in all, the finest ever painter of still life. Several characteristic examples of Hunt's work, as the "Boy and Goat," "Brown Study and Plums," "Primroses and Birds' Nests" are in the Victoria and Albert Museum.
Samuel Masse
painted Lot and his daughters. in 1710s






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